By RACHEL SALTZ
Maverick and iconoclast are two words that have stuck, with good reason, to the director Robert Altman.
Published: December 6, 2014 at 07:00PM
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By RACHEL SALTZ
Maverick and iconoclast are two words that have stuck, with good reason, to the director Robert Altman.
Published: December 6, 2014 at 07:00PM
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By J. HOBERMAN
New boxed sets survey the careers of a pair of exacting auteurs: the French comic director Jacques Tati and the American visionary Stanley Kubrick.
Published: December 6, 2014 at 07:00PM
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By KATHRYN SHATTUCK
Mike Leigh’s film “Mr. Turner,” about the British painter J. M. W. Turner, hews to his palette, style and visual records of places he frequented.
Published: December 6, 2014 at 07:00PM
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By BEN KENIGSBERG
An archaeological team and a documentary crew get stuck in an ancient Egyptian tomb in “The Pyramid,” starring Denis O’Hare and Ashley Hinshaw.
Published: December 5, 2014 at 07:00PM
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By BEN KENIGSBERG
In “Dying of the Light,” a C.I.A. operative is determined to chase down a terrorist who the agency says is already dead.
Published: December 4, 2014 at 07:00PM
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By DANIEL M. GOLD
In “Delusions of Guinevere,” a former child actress uses social media to get attention.
Published: December 4, 2014 at 07:00PM
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By DAVID DeWITT
“Comet,” the feature debut of the director Sam Esmail, deconstructs love, time and probability.
Published: December 4, 2014 at 07:00PM
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By JEANNETTE CATSOULIS
“Uzumasa Limelight,” directed by Ken Ochiai, tells the story of one of the “kirareyaku,” old-school samurai actors, at the end of his career.
Published: December 4, 2014 at 07:00PM
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By ANDY WEBSTER
In the rom-com “Take Care,” a woman injured in a car accident and needing help managing her daily life calls on an old boyfriend.
Published: December 4, 2014 at 07:00PM
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By MIKE HALE
Three of New York’s leading repertory film houses will showcase Robert Altman’s “The Long Goodbye” in a stretch of 18 days.
Published: December 5, 2014 at 07:00PM
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